PROGRAM
Adam Tervola Hultberg, Director
"To achieve great things, two things are needed: a plan and not quite enough time."
- Leonard Bernstein
The Star Spangled Banner…………….……………….…..arr. John Philip Sousa
(Lyrics by Francis Scott Key (1814) Music by John Stafford Smith (1773)
Festive Overture, Op. 96 (1954)……………….…………………...…Dmitri Shostakovich
Transcribed by Donald Hunsberger
This orchestral work is perhaps one of Shostakovich's most enduring works.It begins with a brass fanfare which later reappears before the coda.It was recycled from the "Birthday" movement of Op. 69.Scholars have commented about its resemblance to Mikhail Glinka's overture to his opera Ruslan and Lyudmila. In this manner, composers often reuse or recycle previous musical themes for new pieces.
Tripwire (2020)……………………………………… …………………………..…JaRod Hall
JaRod Hall is an up and coming composer, tubist/trombonist, and music educator from Texas.His current compositions focus on middle school bands.In his own words, Mr. Hall describes Tripwire as "a low-bearing laser or string that sets off an explosion, trap, or alarm when touched.This piece follows a team of bandits who must escape a secret hideout without being detected or tripping the wire."
The Light Eternal (1992)………………………………………....……..James Swearingen
James Swearingen has proved himself to be a champion for school bands who wish to perform serious music that is yet accessible for young students to express themselves well.This band work was inspired by a short story entitled "Legend of the Four Chaplains."The story is printed inside the conductor's score with permission from the June 1989 edition of Reader's Digest.Please see the conductor after the concert if you are interested in reading this truly inspiring story by Lawrence Elliott.
The Black Horse Troop (1924)………………………….………….…..John Philip Sousa
Edited by Frederick Fennell
Sousa composed this march about 10 months before its premiere performance in Cleveland, OH in 1925.That was barely more than 100 years ago!Historian and lauded bandmaster Frederick Fennell recalls being at this concert, stating "I had not been to such an event as this one.I remember that as Sousa's march was being played, Troop A rode onto the stage and stood behind the band to the tumultuous cheering of all. The March King enjoyed a long relationship with the men and horses of Cleveland's Ohio National Guard, known as Troop A."